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Book Reviews - Romance, Fantasy, Science Fiction - By an Adult for Adults

His Convenient Marriage by Sara Craven

June 13, 2023 by Kathy Leave a Comment

His Convenient Marriage ranks low on both Amazon and Goodreads but I like it. Reviewers notice the romance seems to come out of left field, that Miles, the hero, gives almost no indication he loves heroine Chessy, that the minor characters complicate the relationship, that Chessy is weak willed at the beginning and that the sister and nasty neighbor are overdone. I shared this opinion the first time I read the story, but it stuck in my mind and I reread it several times and liked it better each time.

The romance is subtle but real. Miles shows he cares about Chessie immediately although he’s not demonstrative and thinks she is in love with someone else.

Let’s see whether I can show why His Convenient Marriage is a winner for me. First a quick plot synopsis.

Plot Synopsis – Click to Avoid Spoilers

Story opens with Chessie’s spoiled younger sister Jen bursting with news. Alastair, son of the local rich guy, whom Chessie dated the summer before her dad died in disgrace, is back. His father sent him to America two years before and Chessie heard nothing from him after a couple letters. Many things changed in his two year absence: Chessie’s dad died bankrupt and in disgrace after embezzling from his clients, Miles bought their old home and Chessie now works for him and lives with Jen in a separate annex in their old house. Quite a come down.

Jen is excited. Surely Alastair will ride in like a white knight to save Chessie from her life of drudgery working for novelist Miles as combination housekeeper and secretary! Except Chessie isn’t excited. She realized long ago Alastair was never serious about her and isn’t keen to reprise her role as lovestruck girlfriend, especially given her current status.

Jen is antagonistic towards Miles, has no consideration for him, resents her sister’s willingness to work for him (and support her by the way). Chessie likes Miles in a distant way and makes peace between him and her sister. Miles treats her with respect but not warmth until that same night when he asks Chessie to go out for dinner. In fact it’s the first time he calls her by her first name, not Miss LLoyd.

More surprises. Miles asks Chessie to marry him; he says while it could be platonic initially he will want closer relations eventually. He says he wants to entertain and needs a hostess and he’s angry with Jen on Chessie’s behalf; Jen takes and takes, complains all the while. This is first hint Miles might care for Chessie.

Chessie promises to consider it, She imagines making love with Miles, and is stunned when she realizes just how attractive he is. In the restaurant foyer she runs into Alastair’s step mother, the glamorous, ultra malicious, spiteful Linnet who makes her usual catty comments, implies Chessie is virginal and untouched because no one wants her. Chessie immediately corrects her, in fact she is engaged to Miles. Miles is angry that she used him to score points and has not committed herself.

Jen has Alastair in their sitting room when they get back and he’s chagrined that Chessie doesn’t fling herself into his arms. His dad, Sir Robert, had a stroke and moved himself, Alastair and Linnet back home to recover. Alastair wants to sell the home while Sir Robert is incapacitated and resents that his dad will prevent it. Chessie doesn’t like Alastair’s attitude about his father.

Meanwhile, Jen is getting into trouble. She attends an expensive school on scholarship and Chessie has ensured Jen has all the right label clothes and gear. Lately Jen has been out drinking with an unsavory guy and we learn later has cut classes, and not studied for her A levels. If Jen does not secure top grades then she cannot go to university; Chessie is counting on Jen leaving home and being on her own.

This evening sets the stage: Chessie, the heroine torn between her care for Jen, her natural resentment of Jen’s selfishness and her own growing feelings for Miles; Miles the ex war journalist turned author who tells Chessie his former fiancée rejected him after his injury, revolted by his scars and handicap. Alastair who expected Chessie to fall all over herself being grateful he returned, Linnet who cannot stop making trouble with gossip and malicious spite. Jen, the spoiled, careless sister.

We have several scenes with Linnet playing lady-of-the-manor, patronizing Chessie, flirting with Miles, being an all around first class obnoxious vamp. More scenes with Miles insisting Chessie play fiancee, wear his ring, sit at his table, entertain his visiting sister and Linnet when she calls. Alastair shows himself to be vile, selfish and unloving towards his father and complacent towards Chessie.

Linnet tells Chessie that Miles had been engaged to actress Sandie Wells, recently divorced after she married someone else and she is back in England. Surely Chessie realizes she cannot compete, that Miles simply was using her as Sandie’s temporary stand in? Chessie decides to find a different job and quit living at Miles’ once Jen is at college.

Eventually everything comes to a head at Sir Robert’s midsummer party. Miles buys Chessie a gorgeous dress and escorts her. He cannot dance due to his injuries but watches Chessie swirl around with all the men who lined up to ask her to dance. At one point he disappears due to a lady phoning for him. Chessie decides to leave herself. When she’s retrieving her wrap she overhears Alastair and Linnet; it’s obvious they have been lovers for years, even the summer Alastair dated Chessie, that Alastair greatly fears his father recovering and disinheriting him.

Chessie goes home, disgusted with all the lies and deceit, with Alastair and Linnet, with her sister jeopardizing her future, and most of all, with Miles for pretending to care for her even while he’s spending days in London when Sandie Wells is staying at his flat. She’s ready to chuck it all in and leave the bunch to fend for themselves when Miles comes home with crying Jen. Jen was with her boyfriend who wanted her to buy and then sell drugs; he was arrested and the police took her in too. She called Miles who brought her home. Miles tells Chessie he knows she wants to leave but she should delay until Jen’s more settled.

Chessie and Miles go to bed together, he tries to tell her something important, but Chessie cuts him off. She thinks he’s going to tell her about Sandie Wells and doesn’t want to hear it. Miles is in great pain afterwards from his back injuries, tells her that he wants to be free of the pain, free to take his wife to bed, to kick a soccer ball with his kids.

The next morning she discovers he’s gone and he took his portable typewriter with him, indicating a long absence. She’s heartbroken that he left without a good-bye. She finishes typing his manuscript and takes it to the post office where she runs into Sir Robert’s nurse who tells her that Miles is in London for a risky back surgery.

Chessie goes to the London clinic and tells Miles not to have the operation, it’s not worth the risk and if Sandie Wells really loved him she would love him the way he is, not require perfection at the risk of long term damage. Miles tells Chessie he is doing it for her, that she’s the one he loves, that Sandie Wells stayed at his flat but he stayed elsewhere, that he wants to make love to her all night long, that he fell in love with her two years earlier when they met. Chessie tells him that she’s marrying him no matter what happens and we have the Happy Ever After.

Why His Convenient Marriage Works

From the synopsis you can see why readers find the romance lacking.

Miles is emotionally distant and it’s hard to believe he could have been in love with Chessie for two years without showing it. However, I find this realistic given the situations for both characters two years prior. Chessie’s world caved in. Her dad revealed as a crook, dead, she herself responsible for her sister, homeless and dumped by friends after the scandal. Miles, badly injured in his last journalism assignment, in pain, dumped by his former fiancée horrified by his scars. Even had Miles not been in pain emotionally and physically he wouldn’t have tried to court a girl as devastated as Chessie was.

Chessie acts wimpy. Actually Chessie acts like someone who put her life and emotions in the freezer two years ago and simply wants to get through the time until Jen is off at school and she can look to her own future. Chessie shows great strength to take on a housekeeper/typist role, to live in her old home as an employee, to put up with her sister’s tantrums. She doesn’t stand up to Miles but she doesn’t need to.

Linnet is appalling. This is true. Linnet is constitutionally incapable of not flirting with any decent looking or rich man and she’s vicious, spiteful, takes glee in seeing Chessie living as an employee and in her mind, humbled. Chessie is a lady and Linnet is a bad imitation, and everyone can tell the difference. Add to that natural envy that an aging vamp has for a younger, pretty girl and we have all the reason Linnet needs to be malicious and make trouble. I suppose one could see Linnet as over the top, but given her character as sketched in the first 20 pages, Linnet is perfectly cast.

Alastair is an entitled jerk who gets little page time. He tries to make Chessie believe he’s in earnest about her at the midsummer party but Chessie by this time knows she loves Miles and doesn’t like Alastair at all, even before learning he’s been cuckolding his own father.

Sister Jen is a flat character. True. Author Craven portrays Jen as spoiled, willfully ignoring reality in favor of “well it should have been”, rude to Chessie and Miles, lazy, selfish. She doesn’t develop much as a person until the very end when she realizes that ignoring studies to go drinking might mean no university. We don’t see her after this so cannot see whether she matures.

The romance is believable given the people and the situations. The other characters act consistent with their personalities as written, the setting and plot are solid. Author Craven advances the plot and story with dialogue that shows personalities and actions that confirm character.

Overall

Given the complex set up followed by simple plot, author Sara Craven tells a very good story, a believable romance between two people who were badly injured two years ago who now find their future and happiness with each other.

Title misleads. Miles proposes a marriage for convenience, all the while wanting more, but the characters are engaged, not married through the story. His Convenient Marriage is part of the Wedlocked! series. The story is excellent and the characters are very well created, act consistent with their given personalities as cast.

4 Stars

His Convenient Marriage is available on Archive.org here, as a Nook here and in Kindle form here. You can find used paperback copies at most online used bookstores, Amazon, eBay. I bought the Kindle for myself.

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Filed Under: Sara Craven Tagged With: Book Review, Harlequin Presents, Harlequin Romance, Romance, Romance Novels, Sara Craven

Solitaire by Sara Craven

February 2, 2022 by Kathy Leave a Comment

Sara Craven tends to write stories where the primary conflict is in the heroine’s head, when she convinces herself that although she is deeply in love, the hero does not and never can love her, and therefore she faces a lifetime of misery. Usually she protects herself by acting as though she cares little, or that the attraction is physical only.

Sometimes this theme happens after marriage, marriage to take care of a child (Devil and the Deep Sea), a coerced marriage for financial/business reasons (Wife Against Her Will, The Marriage Proposition), even when the marriage was ostensibly for love (His Wedding Night Heir). In Solitaire (link is paid ad) her agony of the heart happens during courtship, when Martine leaves her aunt’s house to go to her older cousin, Uncle Jim, in France and discovers Jim is dead and film director Luc Dumaris owns his house now. Martine is not sophisticated but she’s wise enough to realize that there is no future for her with Luc.

Unfortunately she falls for Luc despite telling herself over and over to stop. For the moment she is stuck in his house because she hasn’t enough money to leave (nor anywhere to go since her aunt doesn’t want her back) and she works for him as a companion for his son to earn enough to return to England. She doesn’t see all that much of Luc but everytime they run into each other she is pulled deeper. Luc is likewise attracted and keeps grabbing Martine, kissing and caressing her and suggests they go upstairs to make love. Luc of course loves Martine but she doesn’t realize it and is reluctant to even suspect it.

This is where author Craven must be her strongest, to make such an implausible story work. Martine has zero experience of men and Luc is strong, masculine, successful, good looking, intelligent and fun to be with. In fact Martine spends very little time with Luc and is surprised to find he can be a delightful companion when he’s not kissing her senseless. Solitaire doesn’t show us anything about Luc’s feelings except through his actions, but it’s clear Luc is attracted to Martine physically but also to her integrity and innocence. He’s about 15 years older, an obvious target for her to have a huge crush.

Unfortunately Craven can’t quite pull this off. The romance is all too likely but it is hard to believe they love and are not simply attracted or infatuated or in love with love or with an ideal. The love story is not compelling.

One reason Solitaire falls just short is the sheer implausibility of the pairing, especially given the fact very young women tend to fall in and out of love until they finally are mature enough to love and not simply be in love. A second reason is that Craven doesn’t show us what Luc thinks. He avoids Martine and spends time with the older, more sophisticated other woman. We could infer that he avoids Martine because he’s attracted to her strongly and wants to play fair with such an innocent, or we could surmise that he’s not interested in her except physically and is decent enough to avoid that. If I were in Martine’s place I don’t think I would figure Luc feels love. Lust, yes. Definitely. But love is not evident in his behavior.

Craven shows us too much inside Martine, as she constantly agonizes over Luc and how he doesn’t/can’t love her. She is responsible and has integrity and wants to earn her wage, first by companioning Luc’s son and then by typing his manuscript. If Martine had been older or wiser she would have asked Luc just what was going on the first time he grabbed her and kissed her silly. He could have been leading up to an affair, or he could have been expressing frustration. Or he could have been showing love.

Had Martine been brave enough to confess her love to Luc, risking rejection or even worse, having him rush her into an affair without love, she would have seen that he did love her. Almost all of Craven’s heroines are cowards when it comes to saying “I love you”, and then they are lost in the woods because they have to wait for a crisis to prompt the man to say it. Since the ladies have spent almost 170 pages being aloof, it’s not too easy for the man to say it either.

Craven sometimes builds excellent characters, uses dialogue and actions to reveal them to us. Martine, Luc’s son Bernard, and Jean Paul, the student working at a local café who dates Martine are quite well developed and we can feel like we might recognize them if we were to meet. Luc is an enigma. We know Martine by her verbal dialogue and her inner thoughts, and I feel Craven uses far too many internal monologues to set the stage and show us Martine.

Overall Solitaire is a solid 3+ stars, not quite 4 but certainly worth reading. I got my paperback copy from Thriftbooks and you might see copies on eBay or other used book sites. Amazon has copies available as I write this. The Open Library at Archive.org does not have Solitaire yet.

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Filed Under: Sara Craven Tagged With: France, Harlequin Presents, Harlequin Romance, Older Man/Younger Woman, Romanc, Sara Craven

Count Valieri’s Prisoner by Sara Craven Harlequin Presents

January 22, 2021 by Kathy Leave a Comment

Oh boy. You know the author is good when you read right by the idiotic plot because you care about the characters. Count Valieri’s Prisoner (#ad) is the story of (surprise!) Andrea, Count Valieri, an Italian businessman, and Madeline Lang, an English researcher for a television company. Madeline is engaged to Jeremy Sylvester, an up and coming man with a driven autocrat for a father. Andrea detests and despises Jeremy’s father and wants to use Madeline as leverage to force him to document how he framed Andrea’s father for embezzlement. Andrea uses the bait of a soprano who suddenly stepped away from music to entice Maddie to Italy where he holds her in his mansion.

At this point you are rolling your eyes and thinking Melodrama! Stockholm Syndrome! Inane Plot! but don’t. Hold your fire and read this. Count Valieri’s Prisoner (#ad)is very good!

First Maddie is no whiny Wilma. She’s tough and uncompromising with Andrea at first, tells him that eventually he’ll have to let her go and then she’ll press criminal charges. She knows that Jeremy’s dad won’t pay a penny for her release, and since Jeremy himself has no money she tells the Count he’s not going to get anything he wants out of this, only a world of hurt when the police arrest him.

The Count holds her in a bedroom with trompe l’oeil scenes and doors that confuse and disorient her and he hid her clothes, leaving her nightgowns and robes to wear. Her room is in a high story so escape is difficult. Nonetheless Maddie persists and manages to get to an abandoned village where – guess who! – is waiting for her. She has encountered a big snake and a wolf by then so Andrea looks pretty good in comparison.

Andrea and Maddie develop first a reluctant friendship, then a type of love for each other, but both are tiptoeing around the fringes of emotion when Andrea takes Maddie to meet his mother. Mom is the singer Maddie came to Italy to interview; Mom is also the lady who’s first husband – Jeremy’s dad – betrayed. Needless to say, Mom isn’t too happy with Jeremy’s family and although she likes Maddie, she and Andrea suspect Maddie is as bad as the family she intends to marry into.

Eventually Andrea convinces Jeremy’s dad that he has incriminating documents and unless dear old dad confesses all in writing and gives up his expected knighthood, Andrea will release everything. Dad complies and sends a toad flunky to bring the papers and get the girl. Maddy takes one look at Toad and decides to make her own way home.

By the last week of her imprisonment Maddie agrees Andrea is justified and once past that hurdle she allows herself to feel the emotional connection and physical attraction that flows between them. However, Maddie is still engaged to Jeremy and still convinced she loves him and will marry him, faith sorely tested when Toad arrives, not Jeremy. She is dumbfounded when Andrea pushes her away to go back to England and he never acknowledges the emotional connection she feels so strongly. She leaves.

It is only when she’s back home she sees Jeremy again and this time he’s pressuring her to marry now, at once. And his mother, who is going to be the mother-in-law from hell, has told the dressmaker to finish the wedding gown NOW. By now Maddie is confused. She believes Andrea. Maddie’s getting suspicious about Jeremy and she’s wondering how much he loves her when he never tried to come to her, and she’s wondering how much she loves him if she could fall for Andrea. She visits future mother-in-law and learns that Jeremy isn’t just a passive dupe with his dad, but a real, bona fide contributing partner and he knows all about the corruption and theft years ago. And it doesn’t bother Jeremy a bit.

Now poor Maddie is in a bad spot. The Count is gone. He pushed her aside and onto a plane. Jeremy is gone. The man she loved didn’t exist and she cannot love the man he is now. Of course a couple months later the Count comes to London and professes eternal love and they have their happy ending.

Let’s look at this story as story.

  • Plot is ridiculous. Who would kidnap the future daughter-in-law of the man you want to destroy? Anyone else see any flaws with this plan? Especially since it should have been obvious to the Count that father-in-law cared nothing for Maddie and Jeremy was not all that keen either.
  • Setting and clothing choice are gothic. A room with painted doors that don’t open? Satin nightwear?
  • Characters are lively and engaging; I was sympathetic to the Count even before learning why he kidnaps Maddie and of course Maddie makes a great heroine, a girl who wants to run her own life and doesn’t roll over either for Jeremy or Andrea.
  • We feel the emotional connection between Maddie and the Count.
  • Somehow the overall story works. It just does. Yes, the plot is nuts but the combination of goofy plot and great characters and strong emotional interactions makes Count Valieri’s Prisoner another winner from Sara Craven.

4 Stars

I got my Ebook copy from Harlequin.com, reading it on the Glose app. You can get the Kindle Ebook from Amazon and the Nook book from Barnes and Noble too. If you prefer a printed book then look at Barnes and Noble or Amazon or used books from Thriftbooks.com or eBay. All links are paid ads.

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Filed Under: Sara Craven Tagged With: 4 Stars Pretty Good, Harlequin Presents, Harlequin Romance, Revenge Romance, Romance, Romance Novels, Sara Craven

The Forced Marriage by Sara Craven – Revenge Romance

November 30, 2020 by Kathy Leave a Comment

The Forced Marriage features an outstanding romance between Flora and Marco plus some funny lines, lots of emotion, a wonderful grovel and good side characters. The downside is that this is a revenge romance although neither we nor Flora realize it until about two-thirds through the story.

Marco is rich and drop dead sexy gorgeous and he just rescued Flora from a mugger. Things proceed from here…

Flora is engaged to nice, safe Christopher but she’s starting to wonder whether this is a good idea. You see, Flora is not particularly attracted to Chris and manages to avoid sleeping with him despite him pressing her. Flora’s best friend Hester chides her and challenges her to think this through: Should she marry a man she’s lukewarm about? A man whose main attraction is safety and security? Plus Chris hasn’t been quite the same since he returned from a Caribbean holiday.

On the other hand Flora’s mom likes Chris and Flora’s sister wants her obnoxious son to wear a page boy suit and be a ring bearer at the wedding. And Chris claims to want to marry her. What’s a girl to do?

Answer: Sleep with the warm and loving guy who beat off a mugger. Then run off to Italy with him and live in his spiffy country home, send Chris back his ring, tell Mom and sis to tough it out. Things proceed some more. Now Flora and – apparently Marco – are deeply in love and Flora is sexually entranced by him and thanking her stars she didn’t marry Chris.

Dum-da-dum-dum. Marco goes away for business, leaving Flora behind, ripe for his godmother’s nephew to wreck nasty mischief. Godmom’s evil nephew drags Flora off to see the godmother – who is the evil fairy, not the good one – and godmother informs Flora the whole thing was a set up. Marco was taking revenge on Chris and incidentally on Flora because Chris had a fling with godmother’s niece Ottavia with whom Marco had been engaged and left the niece miserable, high and dry. Marco didn’t give a rip about losing Ottavia but his godmother nagged him and nagged him to seek revenge.

Here’s where this great romance leaves me cold. I can dimly see why someone – preferably Ottavia herself or possibly her brother – might want payback from Chris for leading her on, promising marriage then disappearing – but at what point does this affect Marco? Instead of telling Ottavia to grow up, that holiday flings are notoriously short of permanence, to be responsible for her own behavior, Marco agrees to go along with the scheme.

It gets even sicker. Flora had been engaged to Chris when Chris was flinging with Ottavia, and that makes Flora the injured party, not Ottavia. But no! Ottavia is injured because Chris preferred Flora. Cockeyed logic to me. Dopey.

GRRR! At this point I’d seriously consider taking Marco and tossing him over the villa wall! Flora comes close. Evil godmother has a nice plane ticket for Flora – after all she doesn’t really want to stick around and talk to Marco before decamping in high dungeon, does she? – and Flora goes back to London, to fatigue and yep, morning sickness.

Flora truly loves Marco and even after discovering his rat-ness longs to be with him, misses him, would happily go back, but she believed Bad Godmother’s unsaid story too, that Marco never loved her. In fact Marco did and does still love her and comes for Flora, to ask her to marry him. In fact he says he was coming back to his villa to fess up and offer marriage the afternoon evil godmom spilled the beans. Flora tells him off and kicks him out, but not to fear, the proverbial phone call plot twist intervenes and Marco learns he’s a daddy-to-be. Now he insists on marriage, thus the title, The Forced Marriage.

Flora goes along with it, heart broken by Marco’s deception and miserable. She adopts a stray mutt, leading to more lighthearted moments that lift our spirits (and Flora’s) during this time of sadness and mourning for lost love.

Since this is a Harlequin our happy-ever-after is guaranteed – good! – and eventually both spouses learn to trust each other and in their love.

What I liked:

  • Flora is strong-willed, perfectly happy to ignore Chris and her family, (even sister with the pageboy suit) and willing to cope with single parenthood if need be.
  • Flora truly loves Marco, Marco truly loves Flora; the romance is real.
  • Sara Craven includes lovely descriptions of the Italian setting along with the grittier London flats.
  • Marco grovel is sincere and heartfelt.
  • Evil Godmother doesn’t come to a sticky end but she does get turned out of Marco’s island and life
  • The emotions are strong and feel real and Sara Craven builds a sense of immediacy, it is as though we are there, participating, not watching.
  • There are some funny moments. I love how Flora’s stuck up sister whines about who will pay for the pageboy suit that Flora never wanted to see anyone wear, much less her obnoxious nephew.
  • Flora’s best friend Hester is great. Sara Craven uses dialogue between the two to explain some events and thoughts but Hester is a character all her own, not a plot device.

What I don’t like:

  • Did I mention this is partly a revenge plot? OK, it is a revenge-that-backfired plot, but still. I detest this revenge stuff and I don’t see how it can motivate such behavior.
  • Flora never points out to Marco or anyone else that she is the injured party – twice in fact – not Ottavia.
  • Flora flees Italy without talking to Marco because she believes the nasty stuff from evil godmom.

4 Stars. Would be close to 5 stars if not for the ridiculous revenge motivation.

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Amazon has The Forced Marriage in print version as does Thriftbooks and Archive.org has the pdf of the book.

Filed Under: Sara Craven Tagged With: Harlequin Presents, Harlequin Romance, Revenge Romance, Romance, Romance Novels, Sara Craven

The Highest Stakes of All – Sara Craven Romance More or Less

October 29, 2020 by Kathy Leave a Comment

I’m almost embarrassed to admit liking this book. Our heroine, Joanna, along with her card shark con man father, is on the South Coast of France when Vassos brings his yacht in harbor. Joanna and Vassos see each other across the harbor and are immensely attracted.

Sadly for her, Joanna’s dad likes her to help him out by acting all seductive in skimpy dresses when he plays cards and although she doesn’t like acting like a vamp she goes along with him. Unfortunately the last person she helped con was Vassos’ nephew who lost his fiancé and job because he lost so much at cards. Now Vassos is here for revenge.

The Highest Stakes of All is not your typical strong-alpha-obnoxious-domineering-male meets sweet-virginal-girl story although both characters fit those molds. However Joanna is a bit of a gambler herself since she NEVER – repeat NEVER NEVER NEVER – says ANYTHING when her dad (posing as her “uncle”) stakes her on his last hand with Vassos. Anyone who would sit there and watch without screaming her objections in this situation is herself a gambler, wouldn’t you say?

Things progress as we expect. Vassos has his minions take Joanna to his private Greek island (just how many Greek gazillionaires are there and how many private islands are there?) where she is to wait his pleasure. Of course Joanna is a virgin and has a very painful time when Vassos semi-rapes her (i.e., Joanna doesn’t fight him but she isn’t willing either).

The twist that makes The Highest Stakes of All work is that Vassos has a young daughter, probably four, who lives on the island in a separate house with her dead mother’s former maid as nanny. Vassos doesn’t believe she is his daughter and so rejects her (huh??) and does not allow Joanna or anyone else to go there, since after all he provides food and shelter and that’s enough for this unwanted child. Joanna ignores his edict and spends time with his little girl.

Eventually Joanna brings father and daughter together whereupon Vassos realizes he has behaved criminally and summons Joanna’s father to come get her. Dad comes with his new money-grasping wife who informs Vassos he owes and owes a LOT and tells Joanna not to worry because she can surely find a husband at the country club back in America, and if she is pregnant, well, that’s easily solved. This scene makes the book.

Here’s why this whole nonsense works for me:

  • Joanna has a lot of character and isn’t willing to go along with Vassos even after she comes to love him.
  • Vassos isn’t completely a jerk. He treats Joanna with great care and consideration, if you ignore the basic situation. He tracks down his nephew and forces him to admit the truth, that Joanna did not do anything beyond flirt and cajole.
  • The interplay among the characters develops along with considerable emotion.
  • The little girl adds rationality to the story and imbues Vassos’ complete turnaround.
  • The side characters, especially dear old Dad and nasty wife, are great and add considerably.
  • There are some almost-funny scenes, especially with new step-mom.

Here’s what sticks in my throat and won’t allow me to give this more than three stars:

  • Rape is ugly.
  • How do you fall in love with someone who forces you to sleep with them? Who cares how kind and gentle or good looking or engaging he is?
  • Joanna was semi-complicit in the whole let’s-dupe-the-rubes con.
  • Joanna never said NO WAY when dear old dad put her up as a stake

But the biggest negative is that as soon as Vassos abducts her, he tells Joanna that he will sell her on to someone else and make a hefty profit from her. Folks, that’s human trafficking, sex slavery and it’s obscene. Probably Vassos doesn’t mean it, but he said it and Joanna believed it.

So let’s go with 3 stars. I’d say 5 for the sheer fun, but subtract 1 for rape and 1 for sex slavery.

I borrowed the paperback from our state library lending system. Amazon has the comic book version of The Highest Stakes of All and the omnibus His Delicious Revenge which includes this novel and the standalone paperback is available on Thriftbooks. All Amazon links are paid ads.

Filed Under: Sara Craven Tagged With: Harlequin Romance, Revenge Romance, Romance, Romance Novels, Sara Craven

The Tycoon’s Mistress – by Sara Craven, Harlequin Presents Romance

October 15, 2020 by Kathy Leave a Comment

So… what’s wrong with this picture?

  • You’re English, a tax accountant, in Greece on a holiday and meet a guy on the beach.
  • You really (REALLY) hit it off with him. He’s kind, compassionate, fun to talk to and you really (REALLY) like kissing him.
  • But… You know nothing about him. Does he have a family? Is he or has he ever been married? Where does he live?
  • You think he is a fisherman who may augment his livelihood by judicious flirting with ladies on holiday and/or dancing in the hotels. But you don’t know because he kind of deflects these questions.
  • You don’t have his phone number but it apparently is possible to get in touch by phoning the local tavern.
  • You’re good at your job. You don’t know what he thinks of working wives.
  • He asks you to marry him within two weeks of meeting.
  • You say yes.

OK, I get it. He’s wonderful. But you really don’t know anything about him. Where will you live? Should you keep working? Does he in fact chat up ladies for a living as you suspect?

Our heroine first says yes, then when she returns to pack up at her hotel on a neighboring island gets a call from her uncle that her dad is in the hospital and likely to die. Now that she’s away from Draco (our gorgeous hero) and they haven’t been necking for a couple hours she’s gotten cold feet/common sense/a chance to step back and reassess the situation. Now here comes the big, huge, horrible mistake: She leaves for England and Daddy without talking to Draco!

Just as in so many Harlequins, a simple phone call could save tons of heartaches. A simple “Hey Draco. I’ve got to go home. Dad’s in the hospital in a bad way. And it’s probably a good idea to take a breather here and give us a week away from necking/each other. OK? I’ll get in touch in a week.”

Now let’s look at it from Draco’s perspective. (Sara Craven does a great job letting us see his thinking, albeit after the fact.)

  • This really (REALLY) hot blonde thinks you’re super. Super as in super sexy, super easy to talk to, super (REALLY REALLY) super kisser.
  • She’s the real thing too. You investigated her (because after all she could simply be a better schemer than all the others) and of course, why not? She truly is a tax accountant – not a profession whose adherents are known for doing crazy spontaneous things like falling in love with a guy they met on holiday and marrying them two weeks later. And her dad was rich until his sugar doll wife conned him out of every penny.
  • On the other hand you told her nothing about yourself and she might even suspect you’re a part time gigolo.
  • You’ve never talked about the future in any concrete terms. You know, stuff like where you’ll live, what you’ll expect from her (Black dresses and five paces behind? Get good internet and work from home? Cook and clean in a shack with or without electricity and running water? Two kids or eight?) Right. All those pesky detailed things.
  • You are falling in lust/love and she is/was a virgin and you really should get married some time and she said “Yes!”
  • So you organize a big hot party in your mansion (oops, you forgot to tell her that) and call all your friends and family (oops, not about them either!) and wait for her to come back from getting her stuff in the fancy hotel just across on the other island.

That’s where it went south for me. Would you seriously organize a party before she returns? Or would you possibly have just a niggle of worry that she might, oh, I don’t know, get cold feet or need a bit of reassurance or even want you to come home with her to meet her family?

The engagement party bust is not a trivial incident either but a major plot point. Draco was humiliated and fell apart emotionally when he finally twigged she took off.

Now if you’re a Greek tycoon whose expected wife failed to show you do the obvious thing. You track her down to her family home where you immediately take over all her father’s debts and issue a nasty ultimatum: Come sleep with me for three months or else! Dad’s going to be broke, your housekeeper will be homeless and, and, oh gee, gosh, well, you’ll be miserable and guilty because you didn’t help dear old Dad when you could. Yes, we now have a Miffed Greek Tycoon Seeks Revenge story.

This is the second plot point that fails. Heroine Cressida tells herself that she can find a larger apartment and move Dad in, that he has his pension so he isn’t completely destitute, that she has a decent salary. But when Draco summons her to appear before him she meekly agrees to play unmarried shack-up mistress kissy face for three months instead of telling him to go pound sand. She has very little monetary motivation to agree to his humiliating proposition.

Dad will be more comfortable in his old home. Yes. But ask yourself. Would you accept mistress-hood in exchange for your dad being more comfy? I don’t think so!

That leaves the other possible reason for Cressida to say “yes”. She loves Draco and regrets taking off without a word, especially when she finds out that he truly was heartbroken and embarrassed. So our guilty-feeling heroine agrees and trots off to sunny Greece, leaving dear old Dad behind to grieve himself into an early grave.

In the last part of The Tycoon’s Mistress author Sara Craven explains that Cressida has a hard time trusting and particularly trusting love, due of course to Dad’s disastrous second foray into marriage. That’s nice but not terribly pertinent. Even people who trust easily might find it overwhelming to marry someone after two sunny holiday weeks.

Craven could have played up Cressida’s cut and run – without any notice – which, while possibly understandable, was mean. There was no reason she couldn’t have at least left a message at her hotel or called the taverna where she stayed on the second island. Draco was justifiably angry about being stood up.

The other unsatisfying thing about the story is that Draco never did the formerly-nasty-Greek-tycoon-with-loving-bride grovel. I missed that!

Sara Craven wrote many marriage of convenience novels and a few of the tycoon-meets-innocent-girl type and I find her MOC novels are far more satisfying and better written. (She combined both tropes in a couple stories, notably Wife in the Shadows, and those were also very good.) The Tycoon’s Mistress lacks the dramatic tension of the MOC A High Price to Pay or the deeply emotional characters in MOC Wife Against Her Will. Nonetheless, I enjoyed The Tycoon’s Mistress and followed Cressida and Draco love affair and was sad to reach the novel end.

3 Stars. I’d give it 4 except the two characters fell into misery because they didn’t bother to get to know each other, too busy necking!

All Amazon links are paid ads. I borrowed this through the Archive.org and there are copies on Amazon and Thriftbooks as of October 2020. Please note there is a comic book version but I read and reviewed the original text story.

Filed Under: Sara Craven Tagged With: Harlequin Romance, Revenge Romance, Romance, Romance Novels, Sara Craven

A Place of Storms – Married Forced by Blackmail in France

October 11, 2020 by Kathy Leave a Comment

At first I was not terribly impressed with Sara Craven’s A Place of Storms. It didn’t affect me the way some of her other books do, but after a bit I found myself wanting to re-read and I enjoyed the story more each time I read it.

A Place of Storms is one of Sara Craven’s earliest Harlequin Presents novels, written in 1978 and has her trademark strong emotion and well-done characters. English Andrea and older Frenchman Blaise are interesting people we want to know although the character development is not quite as strong as in Craven’s later novels.

Andrea is used to helping her flighty cousin Clare avoid richly deserved trouble and now Clare wants her help to avoid a marriage of convenience to an unknown distant relation, Blaise. Blaise is blackmailing Clare with her letters promising to marry him, to force her into marriage even though they never met. Clare now is engaged to a wonderful man and doesn’t want any part of scandal and certainly not a temporary marriage!

What neither Clare nor Andrea know is that Blaise is desperate to marry to secure custody of his nephew from his unscrupulous ex-fiancé – who is the boy’s aunt, greedy and heartless, unwilling to marry a poor man or one with a scarred face.

Blaise lives in a crumbling chateau where every bedroom room leaks, the bathrooms are ancient and fussy and the furniture huge and is barely eking a living from his vineyards. Plus Blaise himself is scarred inside and on his face from the fire in the family’s former island plantation home that killed his brother.

Blaise isn’t a particularly attractive potential husband. Unfortunately for Andrea he is also not dumb. He researched Clare’s family before asking her to marry him and knows all about Clare, her father’s ill health and her cousin Andrea and knows immediately who Andrea is when she arrives at his chateau to retrieve Clare’s foolish letters.

Andrea is shocked to see the dilapidated state of the house and by Blaise’s intention to foist not just a marriage of convenience but a 5 year old nephew onto her cousin. She is terrified because Blaise is attractive and she recognizes the huge potential he has to hurt her emotionally. Blaise will use every trick and pressure possible to get his own way and confronts Andrea when he finds her going through his dresser, threatening endless scandal and publicity if she will not marry him. Andrea agrees, assuming that he is offering the paper marriage he offered to her cousin and that he stressed the evening she met him. Fortunately for our novel, he is intending and demanding far more, a real marriage in every way.

We now have the set up for a delicious romance: A man who is ruthless and determined to marry the woman who is determined not to lose her heart. But wait! There is still more! Sara Craven has three other characters that add complexity.

  • Alan is researching the Gallic wars and lives in the chateau’s gatehouse. He is the neutral character who is a friend to Andrea and not any threat to Blaise and Andrea’s marriage.
  • Five year old nephew Phillipe lost his parents and now must live with his scarred uncle; Phillipe is not a strong child, he is polite but timid.
  • His aunt Simone is nasty, vindictive and cruel, tells Phillipe stories about a distant ancestor who threw his wife’s bastard son out of the tower window and makes him frightened of his uncle Blaise, claiming Blaise will kill him for the non-existent insurance money. Andrea learns only after a week or so that Simone and Blaise had been engaged until Blaise was scarred.

The author hints that Blaise was disillusioned about Simone even before he got hurt in the fire, but Simone implies that she dumped him because of the scar. There is no love lost between them now. Simone tries her best to make trouble with Phillipe and trouble between Andrea and Blaise and even tries to drag Alan into the mix. She’s the arch-Other Woman and nasty.

The real story is how Andrea and Blaise end up in love. Craven only tells us through Andrea’s eyes so we don’t get a good idea how Blaise feels. He calls Andrea “his heart” or “his love” (in French of course) and gives her a beautiful nightgown for a wedding gift and tries to seduce her a couple of time but we don’t see many loving gestures or comments. In fact he’s mean and uses kisses and threatens forced seduction to punish Andrea. He tells her to obey him and threatens but does not do violence. Try to ignore these (thankfully) outdated elements and enjoy the story.

One indicator of a good story and great characters is that I want to put myself in there, to come up with what I would say to Blaise, how I would react. He has a nasty habit of threatening Andrea sexually, and claiming the high ground. For instance, when he is trying to seduce her Blaise says “be a little merciful. Don’t force me to take you like this.” Andrea should say “No one is forcing you Blaise. If you don’t want to feel like a rapist then don’t be one!” (He wasn’t raping her, but he was trying to gain a response Andrea didn’t want to give.) Or when he tells her that he didn’t offer her a paper marriage as he did to her cousin, Andrea should have reminded him that he did exactly that the first night they met, and he claimed he knew who she was at the time. OK, I’m splitting hairs here but some of these overly domineering types give me a pain!

Sara Craven creates a moody, atmospheric setting too, using the gloomy old chateau set in a gorgeous hilly region of France to heighten the tension. Andrea tries to brighten the place with lighter paints and fabrics while Simone uses the setting and old history to frighten Phillipe.

Overall, on second or third or fourth reading I have to give this one 4 stars. I got my copy from Thriftbooks.com and as of this writing Amazon has copies but it is not available on Archive.org.

All Amazon links are paid ads.

Filed Under: Sara Craven Tagged With: English Romance, Harlequin Romance, Romance Novels, Sara Craven

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